‘I wanted to create the show because art that had made me feel seen and heard as a neurodivergent individual was so few and far between. I think there’s a real gap when it comes to art made not just by neurodivergent folks, but for neurodivergent folks.
My goal with Smiling Through the Human was to replicate through cabaret, the essence of existence as a neurodivergent or someone with mental illness in a world that’s just not built for us. The show basically follows an arc of denial through acceptance and ultimately, healing. And I break a few rules of the medium, which you’ll get when you see the show, and I think that lets it go just that little bit deeper into highlighting the alienating experience, the masking experience, and those elements that I think make it more relatable to our community.
It’s been the most rewarding thing imaginable hearing from audience members who have been touched by the show. There have been a few people for whom this show became a turning point in their own journey with discovering or accepting their own neurodivergence and that means truly the whole world.
I hope audiences come away from the show feeling uniquely seen and understood, and, ultimately, rejuvenated and hopeful that this strange dystopian hellscape of existence can still be incredibly fun and beautiful.’- Grace Colsey